CAPTURED MOMENT — COLOUR / TONE
One route. One camera. One focal length. Two passes.
Pass A: six frames whose reason is colour.
Pass B: six frames whose reason is tone, with a fixed B&W rendering.
Keep the first JPEG edit untouched; preserve any RAW files separately.
Monochrome-only camera: observe colour in writing, then make twelve tonal frames.

Frame / colour or tonal relationship / what changed when I moved:
1. _____________________   7. _____________________
2. _____________________   8. _____________________
3. _____________________   9. _____________________
4. _____________________  10. _____________________
5. _____________________  11. _____________________
6. _____________________  12. _____________________

Tomorrow: choose two from each pass. Compare at equal display size.
Which frame needs hue? Which needs tonal separation?
Which untidy frame is alive, and why? Which is only a mistake?
Sequence four, then remove one. Preserve the complete twelve.
This tests attention, not sensor performance.
https://capturedmoment.uk/read/black-and-white-versus-colour-monochrome-sensors/