Photograph / Mark C Grant
Fieldcraft
Street photography without the shifty routine.
You cannot make yourself invisible. You can stop behaving like you are stealing the pavement.
Read the piece : Street photography without the shifty routine.Read / Issue 01
LESS FIDDLING.
MORE SEEING.
Practical street photography. Enough technique to get out of your own way.
Photograph / Mark C Grant
Fieldcraft
A rangefinder is a tool. Not a personality.
The patch, the frame lines, the compromises—and why an X100 is related without being the same thing.
Read the piece : A rangefinder is a tool. Not a personality.
Photograph / Mark C Grant
Fieldcraft
Zone focus. No mysticism required.
Pick a working distance, understand the margin, and stop treating f/8 as a spell.
Read the piece : Zone focus. No mysticism required.
Photograph / Mark C Grant
Fieldcraft
Black and white starts before the slider.
Removing colour does not automatically add meaning. Annoying, but there we are.
Read the piece : Black and white starts before the slider.
Photograph / Mark C Grant
Fieldcraft
Blur with a reason. Not an alibi.
A missed frame and an expressive frame can look similar. The difference has to survive the explanation.
Read the piece : Blur with a reason. Not an alibi.
Photograph / Mark C Grant
Fieldcraft
One lens. Thirty-six frames. Go outside.
A small assignment for anyone who has researched their next camera more thoroughly than their own street.
Read the piece : One lens. Thirty-six frames. Go outside.
Photograph / Mark C Grant
Fieldcraft
Read the edges. The middle can wait.
Three photographs, three ways the edge changes what the centre means.
Read the piece : Read the edges. The middle can wait.No matches. Try a photographer, a technique or a shorter phrase.