
01 / Field card
One lens. One walk.
A thirty-six-frame assignment, a calm approach to people and six final selects.
Open & print ↗ Text file ↓Notebook / Tools to take outside
Make a six-picture edit. Then take a field card and your camera outside.
A working edit / Mark C Grant archive
Pick six, in reading order. Click again to remove. These are published archive pictures, not a single camera roll.
0 of 6 selected. Start with an opening frame.
Your choices stay in this page. The download is a text list with photograph links; the photographs remain © Mark C Grant.

01 / Field card
A thirty-six-frame assignment, a calm approach to people and six final selects.
Open & print ↗ Text file ↓
02 / Walk log
A simple spreadsheet-ready log for settings, distance, intention and what actually happened.
Download CSV ↓
03 / Edit sheet
A checklist for choosing photographs and building a sequence without the midnight contrast crisis.
Download checklist ↓A working estimate
Use the lens’s actual focal length, not its full-frame equivalent. This is a conventional depth-of-field estimate; acceptable sharpness changes with output size and viewing distance.

Photograph / Mark C Grant
Fieldcraft
Pick a working distance, understand the margin, and stop treating f/8 as a spell.
Read the piece : Zone focus. No mysticism required.
Photograph / Mark C Grant
Fieldcraft
A small assignment for anyone who has researched their next camera more thoroughly than their own street.
Read the piece : One lens. Thirty-six frames. Go outside.
Photograph / Mark C Grant
Journal
How photographers choose, why the misses deserve to survive, and a practical edit that starts with everything you made.
Read the piece : Contact sheets. The frame before the famous one.
Photograph / Mark C Grant
Journal
A credited monochrome recipe, the settings behind its bite, and a twelve-frame walk that asks for more than heavy grain.
Read the piece : A Moriyama-inspired Fujifilm recipe. Give the street some teeth.Film preview / SFMOMA
Journal
Misawa, 1971: a dog looks back. How one encounter became an alter ego, and why the picture still has teeth.
Read the piece : Stray Dog. The photograph that became Moriyama.